References

Bibliography:

Adorno, T (1980) ‘Commitment’. Trans. Francis McDonagh, in Aesthetics and Politics –Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, George Lukacs. Afterword by Fredric Jameson, pp. 177-196, Verso.

Barrett, E & Bolt, B. eds. (2007) Practice as Research: Approaches to Creative Arts Enquiry, London: I. B. Tauris

Bataille, G (1985) Inner Experience. Trans & intro L. A. Boldt, State University of New York Press, Albany

Bataille, G (1988) Visions of Excess: Selected Writings, 1927-1939. Ed. & trans A. Stoekl, Minnesota University Press.

Bataille, G (2001) The Unfinished System of Nonknowledge. Ed. S. Kendall, University of Minnesota Press, Minneapolis and London.

Baudelaire, C (2001) The Painter of Modern Life and other essays – ‘On the Essence of Laughter’ pp 147-165. Trans. J Mayne, Phaidon

Bayly, S (2009) ‘Theatre and the public; Badiou, Rancière, Virno.’ In Radical Philosophy 157 Sept/Oct 2008 pp 20-29

Butler, J (1993) Bodies that Matter. London Routledge

Cooper, A (2011) ‘The Mask of Freedom” http://communistgallery.wordpress.com/development-2/ (nov 2011)

Debord, G (1995) The Society of the Spectacle. Trans D. Nicholson-Smith, Zone Books.

De Certeau, M (1988) The Practice of Everyday Life. Trans. S. Randall, University of California Press, reprint 1988

Deleuze, G (2004) The Logic of Sense. Trans. Mark Lester &  C. Stivale, ed. Constantin Boundas, Continuum Impacts.

Diderot, D (2006) Rameau’s Nephew And First Satire. Trans. M Mauldon, intro. N Cronk. Oxford World’s Classics.

Diogenes, Laertius (2005) Lives of Eminent Philosophers Book VI-X. Trans. R. Hicks, Harvard University Press, Cambridge, Massachusetts.

Fox, Charlie (2010)  ‘A Culture of Revolt: Misreading laughter’s revenge?’ MISperformance Performance Research, vol. 15, no. 2.

Higgins, H (2002) Fluxus Experience. University of California Press

Higgins, K (1999) ‘Waves of Uncountable Laughter’. In Lippitt ed. (1999) Nietzsche’s Futures: Nobility, Laughter, Art, Nature and the Transhuman. Palgrave Macmillan.

Jones, A (2005) Irrational Modernism: A Neurasthenic History of New York Dada. MIT Press

Kristeva, J (1982) Powers of Horror: An Essay on Abjection. Trans L. S. Roudiez, Columbia University Press New York.

Kristeva, J (1989) Black Sun; Depression and Melancholia. Trans. L S. Roudiez, Columbia University Press New York.

Kristeva, J (2000) The Sense and Non-Sense of Revolt: The power and the Limits of Psychoanalysis, volume 1. Trans. J. Herman, Columbia University Press New York.

Kulik, O (2004) ‘Armadillo for Your Show’ in Live: Art and Performance. Ed. A. Heathfield pp. 50 –57, Tate Publications

Laruelle, F (1999) ‘A summary of Non-philosophy.’ Pli 8 Philosophies of Nature pp. 138-48

Nakhimovsky, A. S (1982) Laughter in the Void. Wiener Slavistischer Almanach, Vienna,

Nancy, J-L (1993b) The Experience of Freedom. Trans. B. McDonald, Stanford University Press, California.

Nancy, J-L (1993a) The Birth to Presence. Trans. B. Holmes & others, Stanford University Press, California.

O’Reilly, S (2006) ‘Scattered Typologies.’ In Autobituary: Shadow Deeds. Texts A. Bean, Guy Brett, S. O’Reilly and M. Swain. Matts Gallery & ArtsAdmin, London pp 28-36

Rancière, J (2007b) The Politics of Aesthetics. Trans. & intro. G. Rockhill, continuum books.

Rancière, J (2007c) Hatred of Democracy. Trans. S. Corcoran, Verso.

Rancière, J (2007d) The Future of The Image. Trans. G. Elliott, Verso.

Rancière, J (2008) ‘Aesthetic Separation, Aesthetic Community: Scenes from the Aesthetic Regime of Art’ in Art and Research: A journal of Ideas, Contexts and Methods, vol. 2, no. 1, Summer 2008 at http://www.artandresearch.org.uk/v2n1/rancière.html

Read, A  (2008) Theatre, Intimacy & Engagement; The Last Human Venue. Studies in International Performance, Palgrave Macmillan.

Ronell, A (2001) Stupidity. University of Illinois Press.

Sartre, J-P (2006) Sketch for the Theory of the Emotions. Trans. P. Mairet, reprint 2006 Routledge Classics.

Wark, McKenzie (2008) 50 years of Recuperation of the Situationist International. A FORrum Project Publication/Princeton Architectural Press

Ulmer, G (1985) Applied Grammatology: post(e)-pedagogy from J. Derrida to J. Beuys. John Hopkins Univ. Press.

Zijek, S (2009) Violence – Six sideways reflections. Profile Books

Plus other additional references  relating to other material found or sourced on the site.

Baudrillard, J. (2006) Mass. Identity. Architecture. Architectural Writings of Jean Baudrillard. Ed. F. Proto, Wiley AcademyBenjamin, W. (1970) The Author as Producer. New left Review I/62, July-August 1970

Benjamin, Walter (1977) The Origin of German Tragic Drama. Translated J. Osborne, London: NLB

Benjamin, Walter (1999-2006) Selected Writings, Volume 1-4 1927 –1934. Ed. M.W. Jennings, H. Eiland & G. Smith, trans. R. Livingstone and Others. Belknap Press of Harvard University Press

Benjamin, Walter (2002) The Arcades Project. Translated by H. Eiland and K. Mclaughlin, Bellknap Press of Harvard University.

Benjamin, Walter (2004) Selected Writings volume 1, 1913-1926. Edited by M. Bullock & M. W. Jennings, 6th reprint Bellknap Press of Harvard University.

Benjamin, Walter (2007) Walter Benjamin’s Archives: Image, Texts, Signs. Trans. Esther Leslie, Verso Books

The Walter Benjamin Research Syndicate (2012) http://www.wbenjamin.org/walterbenjamin.html

Friedlander, E (2012) Walter Benjamin: A Philosophical Portrait, Harvard University Press

Gell, A (1998)  Art and Agency: Towards an Anthropological Theory. Oxford University Press

Kantor, Tadeusz (1993) Journey through other spaces: Essays and Manifestos, 1944-1990. Ed. and trans. M. Kobialka, University of California Press.

Jackson, Shannon (2011) Social Works: performing art, supporting publics. Routledge

Latour, B (2013) An Inquiry into Modes of Existence: An anthropology of the Moderns. trans C. Porter, Harvard University Press

Levi-Strauss, C (1987) Introduction to the Work of Marcel Mauss. Trans. F. Baker, Routledge.

Weber, S (2008) Benjamin’s – abilities. Harvard Univesity Press

Wiseman, B (2007)  Levi-Strauss, Anthropology and Aesthetics. Cambridge University Press

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